The Monument Trust – Glasshouse at Woolbeding Gardens
The Monument Trust is commissioning a new Glasshouse for the garden at Woolbeding in Sussex, a property owned and operated by the National Trust. This gift will form part of the legacy of the Monument Trust to the nation’s heritage after more than 50 years of philanthropy.
Since its foundation in 1965 by the late Simon Sainsbury, The Monument Trust has given £20m to the National Trust for nearly 20 of its houses, collections, parks and gardens. The new Glasshouse adds to a long tradition of restoring the garden and its features at Woolbeding, home to Simon Sainsbury and Stewart Grimshaw for many years. Set in what Disraeli called "the loveliest valley", the garden with both its classic and newly commissioned elements, including a water sculpture by William Pye, is recognised as a significant twenty-first century garden
No trace of Lord Robert Spencer’s celebrated early nineteenth-century Glasshouse survives at Woolbeding, so The Monument Trust has commissioned a contemporary design for restoring one, sensitive to the natural and historic beauty of the setting in a National Park, that will show how flora from along the Silk Route created English gardening as we know it.
The value of the gift of the Glasshouse and Silk Route garden from The Monument Trust to the National Trust is £4.5m. This forms part of the legacy funding for this and other projects at the historic property approaching £11m.
The principal designers and consultants are:
- Heatherwick Studio, Designer
- Eckersley O’Callaghan Ltd, Civil & Structural Engineer
- Atelier Ten Ltd, Consultant Environmental Engineer
- Fergus Garrett, Great Dixter House and Gardens, Plants, Habitat & Garden Design Consultant
- Stuart A Johnson Consulting Ltd, Strategic Project Manager
Notes on the Legacy of The Monument Trust
With the forthcoming closure of The Monument Trust, after 53 years of making grants since Simon Sainsbury established his foundation to address his concerns for health, education, social welfare and development, as well as to support the arts and heritage of the United Kingdom, the Trustees are leaving in place a number of significant gifts, which they hope will form an enduring legacy arising from Simon’s philanthropic work and vision.
These include the Simon Sainsbury Centre at the Cambridge Judge Business School; “The Monument Fellowship”, a portfolio of organisations combining efforts along the journey of an offender, to reduce reoffending and the need for imprisoning young people; ground-breaking research in understanding the diagnosis and pathology of Parkinson’s Disease; a 1000-strong cadre of trained HIV-positive peer-support volunteers; the rebuilding of the Glasgow School of Art; the Exhibition Road extension to the Victoria & Albert Museum for the temporary exhibitions; an endowment to the British Museum’s Prints & Drawing Department and a donation for its temporary exhibition space too; and the Royal Opera House’s Open Up scheme. These gifts are in addition to the large bequest of paintings to the Tate and National Galleries after Simon’s death in 2006, and £500m in other grants through the lifetime of the Trust.
Among the legacy gifts is a final grant for the Gardens at Woolbeding House, a National Trust property in Sussex, home to Simon Sainsbury and Stewart Grimshaw for over four decades. Here they created what has come to be recognised as a significant Twenty-First Century garden. Set in what Disraeli described as “the loveliest valley”, it combines extensive restoration of gardens, and landscape historically associated with the Whigs and Lord Robert Spencer, with a contemporary take on the classic English house garden.
Since 1965, when Simon and Stewart established The Monument Trust, it has given £20m for the benefit of the houses, gardens and collections of the National Trust. This includes a substantial endowment from Simon’s estate for the permanent upkeep and development of the park and gardens that he and Stewart restored at Woolbeding, where Stewart still lives. Over the decades, they not only revived each section of the gardens, they reinstated the Long Walk through the parkland, re-created an 18th century Pleasure Garden, invented a new terrace garden, and continued the honoured tradition of setting follies and sculptures in sympathy with the landscape. Essential to the tradition of horticulture in England in the 18th century, as much as in the 21st, is the Silk Route, from along which came the flora and trees that still characterise England’s gardens and parks. Accordingly, as The Monument Trust took its name from a house at Petworth, where its first grant restored the outstanding Capability Brown tree-planting and landscape, so its final gift will be to restore a glasshouse to Woolbeding to exhibit the flowers, shrubs and trees of the Silk Route.
The Trustees commissioned Heatherwick Studio to design the new garden, with its glasshouse for sub-tropical flora, as an integral new part of the existing gardens. It will represent the journey and story of the plants in the many zones and sub-zones along the celebrated Silk Route from China to the Mediterranean. It will benefit, too, from expert advice on planting and habitat from Fergus Garrett of Great Dixter Gardens.
When the Glasshouse with its Silk Route garden is completed, at a projected cost of £5.8m, it will constitute Simon and Stewart’s last and most beautiful gift to the nation, the consummation of over five decades of philanthropy through The Monument Trust.
Further information during the planning process is available on the free information line 0800 298 7040, or from firstname.lastname@example.org.